February 26, 2024
Big Book Idea
God's design for relationships is always best.
Let him kiss me with the kisses of his mouth! For your love is better than wine.
1 The Song of Songs, which is Solomon's.
2
Let him kiss me with the kisses of his mouth!
For your love is better than wine;
3
your anointing oils are fragrant;
your name is oil poured out;
therefore virgins love you.
4
Draw me after you; let us run.
The king has brought me into his chambers.
We will exult and rejoice in you;
we will extol your love more than wine;
rightly do they love you.
5
I am very dark, but lovely,
O daughters of Jerusalem,
like the tents of Kedar,
like the curtains of Solomon.
6
Do not gaze at me because I am dark,
because the sun has looked upon me.
My mother's sons were angry with me;
they made me keeper of the vineyards,
but my own vineyard I have not kept!
7
Tell me, you whom my soul loves,
where you pasture your flock,
where you make it lie down at noon;
for why should I be like one who veils herself
beside the flocks of your companions?
8
If you do not know,
O most beautiful among women,
follow in the tracks of the flock,
and pasture your young goats
beside the shepherds' tents.
9
I compare you, my love,
to a mare among Pharaoh's chariots.
10
Your cheeks are lovely with ornaments,
your neck with strings of jewels.
11
We will make for you
2
1:11
The Hebrew for you is feminine singular
ornaments of gold,
studded with silver.
12
While the king was on his couch,
my nard gave forth its fragrance.
13
My beloved is to me a sachet of myrrh
that lies between my breasts.
14
My beloved is to me a cluster of henna blossoms
in the vineyards of Engedi.
15
Behold, you are beautiful, my love;
behold, you are beautiful;
your eyes are doves.
16
Behold, you are beautiful, my beloved, truly delightful.
Our couch is green;
17
the beams of our house are cedar;
our rafters are pine.
The wording of the first verse in Song of Solomon (or Song of Songs; 1:1) does not necessarily mean that Solomon wrote the book. It may have been written by Solomon himself, or it could have been written in his honor. When he is mentioned (1:5; 3:7, 9, 11; 8:11–12), it is generally as a distant, even idealized figure. What is known about Solomon suggests that he probably was not the writer himself (1 Kings 3:1; 11:1–8). However, the book was probably composed during Solomon’s time, perhaps under his oversight, between c. 960 and 931 B.C.
The Song of Solomon contains beautiful poetry expressing romantic love between a young man and a young woman in ancient Israel. He is a shepherd (1:7) and she is a shepherdess (1:8). They are looking forward to their marriage and the pleasure it will bring.
The Song of Solomon includes several extravagant comparisons. For example, the woman is compared to a horse in Pharaoh’s court (1:9), and her hair is compared to a flock of goats (4:1). It is helpful to remember that (1) the comparisons are figurative rather than literal, and (2) what the person has in common with what he or she is compared with is a certain quality, usually the quality of excellence, or of being the best of its kind.
The author has presented the Song of Solomon as a series of exchanges, mostly between the shepherdess and the shepherd, with the chorus-like “others” sprinkled in. These others usually pick up items from the lovers’ speeches and urge the two forward in love. There is also a refrain, “I adjure you, O daughters of Jerusalem, . . . that you not stir up or awaken love until it pleases” (2:7; 3:5; 8:4; variation in 5:8), spoken by the shepherdess. This is understood as her urging the other women not to push this love too fast, in order to let it reach its consummation at the right time (the marriage bed, which seems to begin in 8:5).
David’s Song of Deliverance is nearly identical to Psalm 18. Perhaps 2 Samuel 22 was meant to be read aloud for instruction and Psalm 18 was meant to be sung or prayed as part of worship.
Vineyards, fields, and palm trees. The Song of Solomon takes place in a rural setting, and the lovers describe each other using images drawn from this context. The man is a shepherd, and the woman works in her family’s vineyard.
Kissing was a cultural means of showing respect, friendship, or reverence, as it is in many places today. A kiss was often given as a form of greeting or farewell (19:39). There are only three places in all of Scripture where kissing is connected with romance (Prov. 7:13, Song 1:2; 8:1.).
The man in this love story compared his beloved to a mare among Pharaoh’s chariots (1:9). Only the best and most handsome of mares would have been chosen for important processions, and they would have been well-adorned with jewels and ornaments. This was the man’s way of saying that his beloved’s beauty is incomparable.
Kissing was a cultural means of showing respect, friendship, or reverence, as it is in many places today. A kiss was often given as a form of greeting or farewell (19:39). There are only three places in all of Scripture where kissing is connected with romance (Prov. 7:13, Song 1:2; 8:1.).
Song. 1:3 name . . . oil. In Hebrew, the two words sound similar. “Name” refers to the man’s reputation, which is as enchanting as perfume.
Song. 1:4a The king is probably a term of endearment, indicating the woman’s high regard for her lover.
Song. 1:4b This is the first speech of the “others,” who function as a chorus. They join the shepherdess in her praise for the shepherd (you is masculine) by picking up her words from v. 2.
Song. 1:6 My own vineyard refers in a poetic image to the woman’s physical appearance. The sun has damaged her skin as she has tended her family’s vineyard.
The man in this love story compared his beloved to a mare among Pharaoh’s chariots (1:9). Only the best and most handsome of mares would have been chosen for important processions, and they would have been well-adorned with jewels and ornaments. This was the man’s way of saying that his beloved’s beauty is incomparable.
Song. 1:12 Nard was a fragrance extracted from a plant (see 4:13–14). For the romantic effect of a “fragrance,” see 7:13.
Song. 1:13 My beloved is the woman’s most common term of endearment for the man (31 times).
Song. 1:14 Engedi is an oasis on the dry and desolate western bank of the Dead Sea—a location with obvious appeal.
Song. 1:16–17 The couch, house, and rafters are all compared to a lush woodland location. This may indicate that the man and woman are outdoors.
Solomon begins with the illustration of love, passion, and intimacy in a marital covenant—his faithful love of the Shulammite woman. This illustration also has meaning for God faithfully loving unfaithful Israel, and Jesus faithfully loving His church.
The book affirms a husband's love for his wife, as other New Testament passages display Jesus' love for His church. Solomon reminds God's people of multiple emotions, feelings, and understandings between a man and woman. The marital covenant also demonstrates a love that reflects God's goodness and points us to Jesus.
The application is that marriage should represent the relationship of God with His people (Exodus 34:10-17). This relationship between God and Israel is viewed as a union established during Israel's exodus from Egypt. Because of Israel's unfaithfulness, the union was broken, but God remained faithful to His promises. Likewise, the relationship between Christ and His Church needs to be understood in the context of a marital union, indicating that the bride, His Church, is longing and yearning for Jesus, a bridegroom who "loved the church and gave himself up for her" (Ephesians 5:25).
The Bible uses the terms temptation and desire often. Temptation is not a sin, but it can lead to sin. Jesus was tempted and yet did not sin. Likewise, every desire is not sinful, but evil desire in the heart with lustful intent is sin (Colossians 3:5). Believers must examine their hearts because temptation and desire can birth sin.
Sex is an amazing and powerful element of marriage. Song of Solomon paints a picture of marriage that excludes sexual immorality and describes married love in a way that makes us wonder why would we settle for anything less than God-glorifying love in a faithful marriage relationship. It underscores that the ultimate purpose of sex is to glorify God in the context of marriage. Though we will disappoint and hurt one another, including spouses, we should respond to each other with the love and grace we've received from Christ (Song of Solomon 1:5-8). Spiritual and emotional intimacy in marriage is meant to display Christ's affection and love for His followers. Though the world's view of sex without married love has saturated our culture, Christ's followers are encouraged to glorify God by pursuit of purity before marriage and true love in marriage.
This month's memory verse
Yahweh! The Lord! The God of compassion and mercy! I am slow to anger and filled with unfailing love and faithfulness.
1. How does this passage point us to Jesus?
2. How does this text show us how to praise God and one another? How does this passage display God's character? See also Hebrews 13:8 and 1 John 4:8.
3. In this passage, how do you understand God's love for you, the world, and His church? See John 3:16.
4. Have you accepted God's love? See Romans 5:8 and John 15:13.
5. If you were to die today, where would you spend your eternity? See Ephesians 2:8-9, Romans 6:23, and Romans 10:9-10.
As we gear up to release even more features for Join The Journey in 2025, our staff team, unfortunately, no longer has the margin to continue to support the comment functionality. We have big things in store for Join The Journey 2025. Stay tuned!
Michael Scaman
Michael Scaman
greg jones
Sue Bohlin
Amy Lowther