February 29, 2024

This Is What Delighting Looks Like.

Song of Solomon 6-7

Brooke Alger
Thursday's Devo

February 29, 2024

Thursday's Devo

February 29, 2024

Big Book Idea

God's design for relationships is always best.

Key Verse | Song of Solomon 6:3

I am my beloved's and my beloved is mine;
he grazes among the lilies.

Song of Solomon 6-7

Others

Where has your beloved gone,
    O most beautiful among women?
Where has your beloved turned,
    that we may seek him with you?

Together in the Garden of Love

She

My beloved has gone down to his garden
    to the beds of spices,
to graze 1 6:2 Or to pasture his flock; also verse 3 in the gardens
    and to gather lilies.
I am my beloved's and my beloved is mine;
    he grazes among the lilies.

Solomon and His Bride Delight in Each Other

He

You are beautiful as Tirzah, my love,
    lovely as Jerusalem,
    awesome as an army with banners.
Turn away your eyes from me,
    for they overwhelm me—
Your hair is like a flock of goats
    leaping down the slopes of Gilead.
Your teeth are like a flock of ewes
    that have come up from the washing;
all of them bear twins;
    not one among them has lost its young.
Your cheeks are like halves of a pomegranate
    behind your veil.
There are sixty queens and eighty concubines,
    and virgins without number.
My dove, my perfect one, is the only one,
    the only one of her mother,
    pure to her who bore her.
The young women saw her and called her blessed;
    the queens and concubines also, and they praised her.

10  “Who is this who looks down like the dawn,
    beautiful as the moon, bright as the sun,
    awesome as an army with banners?”

She

11  I went down to the nut orchard
    to look at the blossoms of the valley,
to see whether the vines had budded,
    whether the pomegranates were in bloom.
12  Before I was aware, my desire set me
    among the chariots of my kinsman, a prince. 2 6:12 Or chariots of Ammi-Nadib

Others

13  3 6:13 Ch 7:1 in Hebrew Return, return, O Shulammite,
    return, return, that we may look upon you.

He

Why should you look upon the Shulammite,
    as upon a dance before two armies? 4 6:13 Or dance of Mahanaim

How beautiful are your feet in sandals,
    O noble daughter!
Your rounded thighs are like jewels,
    the work of a master hand.
Your navel is a rounded bowl
    that never lacks mixed wine.
Your belly is a heap of wheat,
    encircled with lilies.
Your two breasts are like two fawns,
    twins of a gazelle.
Your neck is like an ivory tower.
Your eyes are pools in Heshbon,
    by the gate of Bath-rabbim.
Your nose is like a tower of Lebanon,
    which looks toward Damascus.
Your head crowns you like Carmel,
    and your flowing locks are like purple;
    a king is held captive in the tresses.

How beautiful and pleasant you are,
    O loved one, with all your delights! 5 7:6 Or among delights
Your stature is like a palm tree,
    and your breasts are like its clusters.
I say I will climb the palm tree
    and lay hold of its fruit.
Oh may your breasts be like clusters of the vine,
    and the scent of your breath like apples,
and your mouth 6 7:9 Hebrew palate like the best wine.

She

It goes down smoothly for my beloved,
    gliding over lips and teeth. 7 7:9 Septuagint, Syriac, Vulgate; Hebrew causing the lips of sleepers to speak, or gliding over the lips of those who sleep

10  I am my beloved's,
    and his desire is for me.

The Bride Gives Her Love

11  Come, my beloved,
    let us go out into the fields
    and lodge in the villages; 8 7:11 Or among the henna plants
12  let us go out early to the vineyards
    and see whether the vines have budded,
whether the grape blossoms have opened
    and the pomegranates are in bloom.
There I will give you my love.
13  The mandrakes give forth fragrance,
    and beside our doors are all choice fruits,
new as well as old,
    which I have laid up for you, O my beloved.

Footnotes

[1] 6:2 Or to pasture his flock; also verse 3
[2] 6:12 Or chariots of Ammi-Nadib
[3] 6:13 Ch 7:1 in Hebrew
[4] 6:13 Or dance of Mahanaim
[5] 7:6 Or among delights
[6] 7:9 Hebrew palate
[7] 7:9 Septuagint, Syriac, Vulgate; Hebrew causing the lips of sleepers to speak, or gliding over the lips of those who sleep
[8] 7:11 Or among the henna plants
Table of Contents
Introduction to The Song of Solomon

Introduction to The Song of Solomon

Timeline

Author and Date

The wording of the first verse in Song of Solomon (or Song of Songs; 1:1) does not necessarily mean that Solomon wrote the book. It may have been written by Solomon himself, or it could have been written in his honor. When he is mentioned (1:5; 3:7, 9, 11; 8:11–12), it is generally as a distant, even idealized figure. What is known about Solomon suggests that he probably was not the writer himself (1 Kings 3:1; 11:1–8). However, the book was probably composed during Solomon’s time, perhaps under his oversight, between c. 960 and 931 B.C.

Theme

The Song of Solomon contains beautiful poetry expressing romantic love between a young man and a young woman in ancient Israel. He is a shepherd (1:7) and she is a shepherdess (1:8). They are looking forward to their marriage and the pleasure it will bring.

Interpreting Literary Images

The Song of Solomon includes several extravagant comparisons. For example, the woman is compared to a horse in Pharaoh’s court (1:9), and her hair is compared to a flock of goats (4:1). It is helpful to remember that (1) the comparisons are figurative rather than literal, and (2) what the person has in common with what he or she is compared with is a certain quality, usually the quality of excellence, or of being the best of its kind.

Structure

The author has presented the Song of Solomon as a series of exchanges, mostly between the shepherdess and the shepherd, with the chorus-like “others” sprinkled in. These others usually pick up items from the lovers’ speeches and urge the two forward in love. There is also a refrain, “I adjure you, O daughters of Jerusalem, . . . that you not stir up or awaken love until it pleases” (2:7; 3:5; 8:4; variation in 5:8), spoken by the shepherdess. This is understood as her urging the other women not to push this love too fast, in order to let it reach its consummation at the right time (the marriage bed, which seems to begin in 8:5).

Key Themes

  1. God’s law commands sexual purity. Marriage provides the right framework within which his people may properly enjoy the gift of sexual intimacy (see Gen. 2:23–24). Thus God’s people honor him and commend him to the world when they demonstrate with their lives that obedience in such matters brings genuine delight.
  2. Marriage is a gift of God, and is to be founded on loyalty and commitment (see Gen. 2:24, “hold fast”), which allows delight to flourish. As such, it is a fitting image for God’s relationship with his people.

Outline

  1. Title: The Best of Songs (1:1)
  2. The Lovers Yearn for Each Other (1:2–2:17)
  3. The Shepherdess Dreams (3:1–6:3)
  4. The Lovers Yearn for Each Other Again (6:4–8:4)
  5. The Lovers Join in Marriage (8:5–14)
The Global Message of The Song of Solomon

The Global Message of The Song of Solomon

The Song of Solomon paints a beautifully passionate, pure, and even provocative picture of marriage and sexuality. It may seem remarkable, to Christians and nonbelievers alike, that such a book is a part of the biblical canon. And how different Scripture would be without this book! What, then, is the global message of the Song of Solomon? What message does the universal church need to hear from its pages?

God’s Glorious Design in Marriage and Sexuality

Sexuality was God’s idea. Human sexuality is one of God’s most marvelous and blessed ideas. God is not boring, prudish, or ashamed of sex. To make the mating procedure whereby procreation takes place an experience of intense attraction, intense bonding, and intense pleasure was his idea! The beauty of human sexuality is expressed thoroughly and without hesitation in the Song of Solomon. The very first words of the young maiden express her intense desire for her beloved: “Let him kiss me with the kisses of his mouth!” (Song 1:2). There is a refreshing freedom, joy, and delight expressed by the couple in their passionate mutual admiration (1:9–10, 12–16; 2:9, 14; 4:1–15; 5:10–16; 6:5–10; 7:1–9), their intense sexual longing for marriage (1:2–2:17; 7:11–8:3), and the final and wonderful consummation of their marriage bond.

God’s gift to all humanity. The command to become one flesh pre-dates the fall (Gen. 1:28). Sex was not a concession to sinful mankind. It was a blessed provision and gift from God for humanity to enjoy. It is a gift of common grace.

God’s design for sexuality. God designed sex to be enjoyed within the marriage context. The repeated admonition not to “stir up or awaken love until it pleases” emphasizes that there is a right and a wrong time for sex (see Song 2:7; 3:5; 8:4). Scripture strongly forbids the improper use and context of sex. For example, sex outside of marriage, or with someone other than one’s spouse, or with someone of the same sex are explicitly prohibited (Lev. 18:22; Prov. 5:20–23; 1 Cor. 6:9). Yet Scripture just as strongly commends the full enjoyment of sex within the God-ordained context of marriage (Prov. 5:15–19; 1 Cor. 7:3). Such sexual enjoyment between a husband and wife is a blessed expression of lifelong commitment and mutual delight. There is joyful celebration of the beauty of creation in the human body in all its features and distinctiveness. There is a wonder and glory in God’s creation of male and female, and the beauty of each gender complements the other. There is freedom and security found in unrivaled, exclusive, passionate, and lifelong commitment.

The Song of Solomon is refreshingly honest in acknowledging that waiting for love and not misusing sexuality are difficult. Sexual longing is not wrong, but sexual enjoyment before marriage defiles God’s design. Though sexual desire is great, sexual enjoyment must be waited for and enjoyed in God’s proper timing and design.

The World’s Broken Sexuality

This is a message that our world needs to hear. One of the most painful expressions of the fall of mankind in our world today is in the area of sexuality. Sexuality is broadly misunderstood, misused, and abused. While various cultures and each generation offer varied and supposedly “progressive” perspectives on sexuality, God’s view is timeless.

We live in a fallen world in need of a Savior. Marital conflict, divorce, sexual immorality, and sexual abuse teach us of the painful impact of sin and each person’s desperate need for a Savior. The Internet has radically transformed the nature of pornography, now that it is almost universally accessible. Around the world there is an unprecedented amount of trafficking in human beings, a large proportion of whom are exploited and abused in the sex industry. Such abuse of men, women, and even children, all of whom are made in God’s image and have inherent dignity, is wicked. Indeed, it is one of the most God-offending, pervasive, and evil forms of wrongful sexuality in our world today.

The Global Church’s Witness in Sexuality

Through Christ, God’s design for humanity in all its fullness is being restored and renewed. The Song of Solomon presents a picture of God-honoring sexual delight that is one expression of the blessed life that we have in Christ and his glorious redemption.

Christians, however, have often been among those who have misunderstood or misused sexuality. Some have taught or have been taught to be ashamed of sex. To lack joy and delight in the gift of sexuality within marriage is to miss God’s perfect design and provision. There is also brokenness in the global church because of failing marriages, adultery, and sexual abuse. Such sexual abuse has stained not only the church but also its leaders.

There is a need for discussion and teaching about sexuality within the church. This is utterly countercultural in some societies, where sex is not something openly discussed. Whatever its cultural situation, however, the church must take up its responsibility to teach about such topics rather than allowing its people to learn about sexuality from secular society.

Discussion and teaching about issues of sexuality should be forthright but also appropriately modest. It requires cultural sensitivity and biblical wisdom. The content of such teachings and discussions will likely challenge cultural norms. In addition to such discussion there is need for repentance, gospel renewal, mentoring, and encouragement.

Our Witness to the World regarding Sexuality

The area of sexuality and the beautiful picture presented in the Song of Solomon are opportunities to share with the world the blessed “otherness,” the holiness and beauty, of the Christian faith.

The original meaning of the word “martyr” is “witness.” This word was used in the early days of Christianity not merely for those who suffered death for the faith; it was more broadly applied to every Christian’s privilege to bear witness to Christ and the Christian faith, whether in life or death. As witnesses, Christians have the tremendous opportunity to share and to show to the world the power of the gospel of Jesus Christ and the glorious vision of a life renewed in the gospel. Such witness can be displayed to the world in each sphere of life—in finances, work, family, leisure, study, and even in sexuality.

Christians should have more accurate things to say about sex and a more rightful enjoyment of sex than anyone. This is a part of our living and visible witness to the world—that God and God’s ways are right and righteous and joy-filled. The enjoyment and the jealous protection of love are “flashes of fire, the very flame of the LORD” (Song 8:6). Through Christ, God is jealously and graciously restoring humanity. A part of that restoration is in the blessed enjoyment of and witness to God’s wonderful gift of sexuality.

2 Samuel Fact #19: Song of Deliverance

Fact: Song of Deliverance

David’s Song of Deliverance is nearly identical to Psalm 18. Perhaps 2 Samuel 22 was meant to be read aloud for instruction and Psalm 18 was meant to be sung or prayed as part of worship.

Song of Solomon Fact #4: Vineyards, fields, and palm trees

Fact: Vineyards, fields, and palm trees

Vineyards, fields, and palm trees. The Song of Solomon takes place in a rural setting, and the lovers describe each other using images drawn from this context. The man is a shepherd, and the woman works in her family’s vineyard.

Study Notes

Song. 6:1 In 5:6 the woman lamented that her beloved “had turned and gone.” Now the chorus asks her, where has your beloved gone, and where has he turned?

Study Notes

Song. 6:2 garden. See note on 4:12. The garden is his, for she has committed herself to him.

Study Notes

Song. 3:1–6:3 The Shepherdess Dreams. The woman reports her dream, which comes from her eager anticipation of the consummation of their love. That this is a dream is suggested by 3:1 and 5:2. The dream includes romantic longings, fears of losing her beloved, nightmarish scenes (5:7), and an imaginative transformation of the beloved into a Solomon-like figure (3:6–11).

Song. 5:2–6:3 This dream is caused by the woman’s desire to be with her beloved instead of being separated from him.

Song. 6:3 The lovers gladly declare that they have given themselves to each other.

Study Notes

Song. 6:4 awesome as an army with banners. Not only is she beautiful, she inspires the most profound respect.

Study Notes

Song. 6:5 The woman’s glances overwhelm the man (see 4:9).

Study Notes

Song. 6:8–9 Notice how the numbers increase from sixty to eighty to without number. The woman is without equal. All women, even royal women, praise her.

Study Notes

Song. 6:10 Dawn, moon, and sun all reflect the woman’s radiant beauty.

Study Notes

Song. 6:13 The chorus picks up on the idea of “looking” (v. 11). As she had gone down to the orchard to look, so they want her to return, that they might look upon her. Shulammite likely refers to the woman’s origin. The nature of the dance before two armies is unknown. The beloved intervenes and denies their request.

Study Notes

Song. 7:4 As in 4:4, the woman’s neck is likened to a tower made of precious ivory. The dignity and beauty of her neck inspires the comparison.

Study Notes

Song. 7:7 In ancient literature, a person of elegance was often compared to a palm tree.

Study Notes

Song. 7:1–9a This description of the woman’s beauty echoes that of 4:1–7 (see her description of the man in 5:10–16). They take romantic delight in each other’s physical appearance.

Study Notes

Song. 7:10 The context indicates that desire here refers to sexual desire. The thought of the man desiring her gives the shepherdess pleasure.

Study Notes

Song. 7:13 It is possible that mandrakes (which sounds like my beloved in Hebrew) were seen as an aphrodisiac (see Gen. 30:14–16). Here, they appear to be seductive as they give forth fragrance.

S3:044 Song of Solomon 6-7

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Dive Deeper | Song of Solomon 6-7

Wowza, am I right? Now, that is what delighting looks like!

First, let's start off by defining delight. It means that our hearts truly find peace and fulfillment in someone or something. In this chapter, the couple delighted in one another because they knew each other deeply and admired everything about the other. 

If you've been reading up until this point, you have seen a shift in their relationship. Beginning as infatuation, it becomes a loving, committed relationship and is evident through some of Shulamite's statements:

SS 2:16 "My beloved is mine, and I am his; he grazes among the lilies."

SS 6:3 "I am my beloved's and my beloved is mine; he grazes among the lilies."

SS 7:10 "I am my beloved's, and his desire is for me."

The progression of her testimony changes as their relationship becomes more intimate. They are like stepping stones to her new identity. Read them again and see the differences. She starts as a love-struck, insecure girl in the field and, through mutual interest and affirmation, she matures into a secure woman. In chapters 6-7, she could rest in the security of her King because she trusts him wholeheartedly.  Shulamite is content with the identity that she is Solomon's and the one he desires. This allows her to eliminate anxieties (potentially, the dreams of her king leaving her), gain confidence, and rest.

What a beautiful picture of our relationship with God. We all begin as insecure persons toiling in a field and looking for something or someone to fulfill us. I know that was my story. I was looking for just about anything to make me feel seen and important. Bending over backward to try to get others to like me left me toiling for years. It wasn't until the Holy Spirit helped me believe that the Triune God of the universe sees me, desires me, pursues me, and never stops loving me. He helped me see that God is, in the words of John Piper, "The most admirable person and reality in the universe." Knowing Him leads us to admiring Him, which leads us to delighting in Him.

This month's memory verse

Yahweh! The Lord! The God of compassion and mercy! I am slow to anger and filled with unfailing love and faithfulness.

– Exodus 34:6b

Discussion Questions

1. What field were you toiling in before you met your Savior? (Example: the field of people pleasing, pride, perfectionism, numbing.) Reflect on where the Lord has brought you out, and praise Him for it! 

2. When you think about your relationship with Christ, do you feel it is anchored in security, or does it bring any level of anxiety to your heart? For instance, do you have big questions left to be answered that allow insecurity to seep in, or do you feel as though you need to work for your salvation? If so, check out Great Questions.

3. What are some ways you show God that He is most admirable? How do you delight in the Lord?

 

 

 

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GJ

greg jones

Good morning Brook. I love your take on Song of Solomon and the progression you’re pointing out. I see that-hear that, great pick up. I don’t think anyone really has Song of Solomon figured out. I’m more inclined as some others to read it as a compilation of love songs. That is why there’s not really a complete overall story line to the book. Therefore you can take different parts of the book and lay it over some different narrative baselines to understand the human condition. Your view and questions accomplish the same by highlighting the change in girl’s condition. Loved that. I see the ability to use these chapters and lay them over two different scenarios and see a future greater potential and future great disaster. The first is to lay the song over the story of David and Abigail to see a future greater potential 1 Samuel 25. Abigail is originally married to Nabal, not the sharpest stone in the brook. It’s a love song between David and Abigail as they meet. Nabal dies of some natural causes, Abigail saves a bunch of lives, saves David from some blood guilt, she is a hero. For some imagery 1) David and Abigail meet in Carmel, SS 7:5 your head crowns you like Carmel. 2). Mahanaim See note ESV note 4 SS 6:13 and 2 Samuel 2, David and Abigail will make a home in Hebron but for a while the have to move around a bit. At one point she will be kidnapped which I’m sure would cause some anxiety. Second play his parts of the songs of SS 6 and 7 in David’s head as he watches Bathsheba. She will never have a chance to save her husband’s life. By David’s design there will be a dance of an army that will leave Uriah exposed. For imaginary “How beautiful are your feet in sandals, O noble daughter!” SS 7:1. Then David said to Uriah, “Go down to your house and wash your feet” (2 Samuel 11:9). David’s not talking about an epsom salt foot soak. Feet is often a Hebrew euphemism for genitalia. Bathsheba would have been considered a noble daughter based on her lineage. The two narratives give different meanings that fit the same song. Two conditions of David, one person.
AL

Amy Lowther

1. I wanted to own and facilitate the world. I wanted to help everyone be healthy and successful. Since then, the Lord has helped me truly understand His purpose for Himself and His purpose for me. 2. It is anchored securely. 3. Frequently, I pray to God and seek His advice for everything I do in daily life. Frequently, I thank God and give Him respect for what He does. Brooke - Thank you sharing your ideas. You made a good point in saying the Holy Spirit helps you overcome “looking for just about anything to make me feel seen and important”. The Holy Spirit can help each of us know, “the Triune God of the universe sees me, desires me, pursues me, and never stops loving me”. Great information!
SB

Sue Bohlin

SUPER devo today, Brooke! Bless you! My heart is sad for the bride in this relationship. I hadn't realized it before today, that 6:8 is referring to Solomon's harem: "There may be sixty queens, and eighty concubines, and young women without number." The beautiful love story of Solomon and THIS wife is definitely diminished by the fact that Solomon had so many other women. No wonder part of their story is him coming to her one night (where she rejects him initially) as opposed to the sweet security I get to enjoy of my husband coming home to me *every single night*, with no other women to distract or entice him. Bless her heart.
MS

Michael Scaman

Title: Dodi ani, ani dodi - I am my beloved's and my beloved is mine as if by Alicea Keys We see eachother very differntly now.. We are very differnt now. The king raised as a prince acting like a rustic shepherd. He grazes in the lilies not the courts. The Shulamite who was from a simple rural background is seen in elegance like a princess of a royal city. In halls of splendor, where jewels brightly gleam, A shepherd's heart, though royal, found its dream. In fields of lilies, where love's light does gleam, A shepherd king holding his dream. Though crowned in grace, the king of rustic charm, His love, a Shulamite, where beauty disarms. From humble roots, she blooms in regal hue, Her essence, like Tirzah's morning dew. In whispers of love, their souls entwine, "I am my beloved's," in hearts divine. With Hebrew words, their bond defined, Didi ani, ani dodi, a love refined.