July 2, 2024
Big Book Idea
Thinking and feeling God's way.
Deep calls to deep at the roar of your waterfalls;
all your breakers and your waves have gone over me.
By day the Lord commands his steadfast love,
and at night his song is with me,
a prayer to the God of my life.
I say to God, my rock:
"Why have you forgotten me?
Why do I go mourning
because of the oppression of the enemy?"
1
As a deer pants for flowing streams,
so pants my soul for you, O God.
2
My soul thirsts for God,
for the living God.
When shall I come and appear before God?
2
42:2
Revocalization yields and see the face of God
3
My tears have been my food
day and night,
while they say to me all the day long,
“Where is your God?”
4
These things I remember,
as I pour out my soul:
how I would go with the throng
and lead them in procession to the house of God
with glad shouts and songs of praise,
a multitude keeping festival.
5
Why are you cast down, O my soul,
and why are you in turmoil within me?
Hope in God; for I shall again praise him,
my salvation
3
42:5
Hebrew the salvation of my face; also verse 11 and 43:5
6 and my God.
My soul is cast down within me;
therefore I remember you
from the land of Jordan and of Hermon,
from Mount Mizar.
7
Deep calls to deep
at the roar of your waterfalls;
all your breakers and your waves
have gone over me.
8
By day the LORD commands his steadfast love,
and at night his song is with me,
a prayer to the God of my life.
9
I say to God, my rock:
“Why have you forgotten me?
Why do I go mourning
because of the oppression of the enemy?”
10
As with a deadly wound in my bones,
my adversaries taunt me,
while they say to me all the day long,
“Where is your God?”
11
Why are you cast down, O my soul,
and why are you in turmoil within me?
Hope in God; for I shall again praise him,
my salvation and my God.
1
Vindicate me, O God, and defend my cause
against an ungodly people,
from the deceitful and unjust man
deliver me!
2
For you are the God in whom I take refuge;
why have you rejected me?
Why do I go about mourning
because of the oppression of the enemy?
3
Send out your light and your truth;
let them lead me;
let them bring me to your holy hill
and to your dwelling!
4
Then I will go to the altar of God,
to God my exceeding joy,
and I will praise you with the lyre,
O God, my God.
5
Why are you cast down, O my soul,
and why are you in turmoil within me?
Hope in God; for I shall again praise him,
my salvation and my God.
Individual psalms come from diverse periods of Israel’s history, but at every stage they served as the songbook of God’s people. David wrote about half of the Psalms. His role as king was more than that of a ruler. He was to represent and even embody the people, and their well-being was tied to his faithfulness. David, then, writes as a representative, and the readers must discern whether the emphasis of a psalm is more on his role as ruler or more on his role as ideal Israelite, in which he is an example for all. The historical occasions mentioned in the psalm titles help the reader see how faith applies to real-life situations.
The Psalter is fundamentally the hymnbook of God’s people. It takes the basic themes of OT theology and turns them into song:
The Psalms can be identified according to some basic categories:
Laments, which lay a troubled situation before the Lord, asking him for help. There are community (Psalm 12) and individual (Psalm 13) laments. This category is the largest by far, including up to a third of all Psalms.
Hymns of praise, which call God’s people to admire his great attributes and deeds. Examples include Psalms 8; 93; and 145.
Hymns of thanksgiving. As with laments, there are community (Psalm 9) and individual (Psalm 30) thanksgiving psalms.
Hymns celebrating God’s law (Psalm 119).
Wisdom psalms (Psalms 1; 37), which reflect themes from the Wisdom Books (Job, Proverbs, Ecclesiastes, Song of Solomon).
Songs of confidence, which enable worshipers to deepen their trust in God amid difficult circumstances (Psalm 23).
Royal psalms, which present the Davidic monarchy as the vehicle of blessing for God’s people. Some of these are prayers (Psalm 20), some are thanksgivings (Psalm 21). All relate to the Messiah, the ultimate heir of David, either by setting a pattern (Psalms 20–21) or by portraying the king’s reign in such a way that only the Messiah can completely fulfill it (Psalms 2; 72), or by focusing on the future (Psalm 110).
Historical psalms, which take lessons from the history of God’s dealings with his people (Psalm 78).
Prophetic hymns, which echo the Prophets, calling people to covenant faithfulness (Psalm 81).
The standard Hebrew text divides the Psalms into five “books,” perhaps in imitation of the five books of the Pentateuch.
Book 1 | Psalms 1–41 | Psalms 1–2 provide an introduction to the Psalms as a whole. Except for Psalms 10 and 33, the remaining psalms of Book 1 are psalms of David. Most of them are prayers of distress. Others are statements of confidence in the God who alone can save (e.g., 9; 11; 16; 18), striking the note that concludes the book (40–41). Reflections on ethics and worship are found in Psalms 1; 14–15; 19; 24; and 26. |
Book 2 | Psalms 42–72 | Book 2 introduces the first group of psalms by the “sons of Korah” (42; 44–49; 50). There are also more psalms of David (51–65; 68–69), including most of the “historical” psalms (51–52; 54; 56–57; 59–60; 63). Once again, lament and distress dominate these prayers, which now also include a communal voice (e.g., 44; compare 67; 68). The lone psalm attributed to Solomon concludes Book 2 with a look at God’s ideal for Israel’s kings—ultimately pointing to Christ as the final great King of God’s people. |
Book 3 | Psalms 73–89 | The tone darkens further in Book 3. The opening Psalm 73 starkly questions the justice of God before seeing light in God’s presence. That light has almost escaped the psalmist in Psalm 88, the bleakest of all psalms. Book 2 ended with the high point of royal aspirations; Book 3 concludes in Psalm 89 with these expectations badly threatened. Sharp rays of hope occasionally pierce the darkness (e.g., 75; 85; 87). The brief third book contains most of the psalms of Asaph (73–83), as well as another set of Korah psalms (84–85; 87–88). |
Book 4 | Psalms 90–106 | Psalm 90 opens the fourth book of the psalms. It may be seen as the first response to the problems raised by Book 3. Psalm 90, attributed to Moses, reminds the worshiper that God was active on Israel’s behalf long before David. This theme is taken up in Psalms 103–106, which summarize God’s dealings with his people before any kings reigned. In between there is a group of psalms (93–100) characterized by the refrain “The LORD reigns.” This truth refutes the doubts of Psalm 89. |
Book 5 | Psalms 107–150 | The structure of Book 5 reflects the closing petition of Book 4 in 106:47. It declares that God does answer prayer (107) and concludes with five Hallelujah psalms (146–150). In between there are several psalms affirming the validity of the promises to David (110; 132; 144), two collections of Davidic psalms (108–110; 138–145); the longest psalm, celebrating the value of God’s law (119); and 15 psalms of ascent for use by pilgrims to Jerusalem (120–134). |
What was the main purpose of the Psalms for the people of God? The Psalms were the songbook of the people of God when they gathered for worship.
What is a psalm of lament? The main purpose of a psalm of lament is to tell the Lord about a difficult situation, to ask him for his help, and to praise him for helping. Some laments are community, congregational psalms. Others are individual, personal laments. One third of all the Psalms are psalms of lament.
What defined someone as an “enemy” of the people of Israel? The “enemies” mentioned in the Psalms (e.g., 18:17) were people hostile to the faith of God’s people. Sometimes they expressed their hatred by physically attacking the people of Israel, while other times they merely rejoiced when Israel faced misfortunes.
What does Selah mean? Although the word Selah is found 39 times in the book of Psalms, its exact meaning is uncertain. Most scholars believe it is a musical term or a term to be used by a worship leader, possibly to mark a pause.
Snares (38:12) were traps used to catch birds and animals. Some snares used ropes or nets that would be triggered as soon as the bait was touched. Pits disguised with sticks and leaves were also used as snares. In the Psalms, snares serve as symbols of danger or death at the hands of the wicked.
A helpful guide. The writers of the Psalms understood the importance of constant communication with God. They knew that God would hear their prayers, and they trusted him to act on their behalf. Believers today can benefit greatly by patterning their prayers after specific psalms.
Summers in Israel can be very hot, depending on where one is (see 32:4). In places like Masada, near the Dead Sea, temperatures can soar past 110 degrees Fahrenheit (43° C) without a drop of rain. However, Jerusalem, with its higher elevation, remains cooler with temperatures between 75 and 85 degrees (24 to 29° C).
There were at least three known species of deer in ancient Palestine. The red deer was the largest. The male could weigh up to 500 pounds (225 kg) while the female weighed up to 350 pounds (160 kg).
Term | Explanation | Example |
---|---|---|
Image | A word or phrase that names a concrete action or thing; by extension, a character, setting, or event in a story is an image—a concrete embodiment of human experience or an idea. | the way (or path); the congregation (or assembly); nature (or harvest) (Psalm 1) |
Metaphor | An implied comparison that does not use the formula like or as. | “The LORD is my shepherd” (Ps. 23:1). |
Simile | A figure of speech in which a writer compares two things using the formula like or as. | “He is like a tree planted by streams of water” (Ps. 1:3). |
Personification | A figure of speech in which human attributes are given to something nonhuman, such as animals, objects, or abstract qualities. | Light and truth are personified as guides in Psalm 43:3. |
Hyperbole | A figure of speech in which a writer consciously exaggerates for the sake of effect; usually that effect is emotional, and thus, loosely put, hyperbole usually expresses emotional truth rather than literal truth. | “My tears have been my food day and night” (Ps. 42:3). |
Apostrophe | A figure of speech in which the writer addresses someone absent as though present and capable of responding. By slight extension, an apostrophe might be an address to something nonhuman as though it were human and capable of responding, even if the speaker is in the presence of the object. | The poet in Psalm 148:3 might well be looking up at the sun, moon, or stars as he commands them to praise God. |
The standard Hebrew text divides the Psalms into five “books,” perhaps in imitation of the five books of the Pentateuch.
Book 1 | Psalms 1–41 | Psalms 1–2 provide an introduction to the Psalms as a whole. Except for Psalms 10 and 33, the remaining psalms of Book 1 are psalms of David. Most of them are prayers of distress. Others are statements of confidence in the God who alone can save (e.g., 9; 11; 16; 18), striking the note that concludes the book (40–41). Reflections on ethics and worship are found in Psalms 1; 14–15; 19; 24; and 26. |
Book 2 | Psalms 42–72 | Book 2 introduces the first group of psalms by the “sons of Korah” (42; 44–49; 50). There are also more psalms of David (51–65; 68–69), including most of the “historical” psalms (51–52; 54; 56–57; 59–60; 63). Once again, lament and distress dominate these prayers, which now also include a communal voice (e.g., 44; compare 67; 68). The lone psalm attributed to Solomon concludes Book 2 with a look at God’s ideal for Israel’s kings—ultimately pointing to Christ as the final great King of God’s people. |
Book 3 | Psalms 73–89 | The tone darkens further in Book 3. The opening Psalm 73 starkly questions the justice of God before seeing light in God’s presence. That light has almost escaped the psalmist in Psalm 88, the bleakest of all psalms. Book 2 ended with the high point of royal aspirations; Book 3 concludes in Psalm 89 with these expectations badly threatened. Sharp rays of hope occasionally pierce the darkness (e.g., 75; 85; 87). The brief third book contains most of the psalms of Asaph (73–83), as well as another set of Korah psalms (84–85; 87–88). |
Book 4 | Psalms 90–106 | Psalm 90 opens the fourth book of the psalms. It may be seen as the first response to the problems raised by Book 3. Psalm 90, attributed to Moses, reminds the worshiper that God was active on Israel’s behalf long before David. This theme is taken up in Psalms 103–106, which summarize God’s dealings with his people before any kings reigned. In between there is a group of psalms (93–100) characterized by the refrain “The LORD reigns.” This truth refutes the doubts of Psalm 89. |
Book 5 | Psalms 107–150 | The structure of Book 5 reflects the closing petition of Book 4 in 106:47. It declares that God does answer prayer (107) and concludes with five Hallelujah psalms (146–150). In between there are several psalms affirming the validity of the promises to David (110; 132; 144), two collections of Davidic psalms (108–110; 138–145); the longest psalm, celebrating the value of God’s law (119); and 15 psalms of ascent for use by pilgrims to Jerusalem (120–134). |
Romans 3 | OT Reference |
---|---|
Sinful Condition | |
v. 10, none is righteous | Ps. 14:3/53:3; Eccles. 7:20 |
v. 11a, no one understands | Ps. 14:2/53:2 |
v. 11b, no one seeks for God | Ps. 14:2/53:2 |
v. 12, all have turned aside; together they have become worthless; no one does good, not even one | Ps. 14:3/53:3 |
Sinful Speech (note progression from throat to tongue to lips) | |
v. 13a, b, their throat is an open grave; they use their tongues to deceive | Ps. 5:10, Septuagint (English, 5:9) |
v. 13c, the venom of asps is under their lips | Ps. 140:3 |
v. 14, their mouth is full of curses and bitterness | Ps. 10:7 |
Sinful Action | |
v. 15, their feet are swift to shed blood | Prov. 1:16/Isa. 59:7 |
v. 16, in their paths are ruin and misery | Isa. 59:7 |
v. 17, and the way of peace they have not known | Isa. 59:8 |
Summary Statement | |
v. 18, there is no fear of God before their eyes | Ps. 36:1 |
Term | Explanation | Example |
---|---|---|
Image | A word or phrase that names a concrete action or thing; by extension, a character, setting, or event in a story is an image—a concrete embodiment of human experience or an idea. | the way (or path); the congregation (or assembly); nature (or harvest) (Psalm 1) |
Metaphor | An implied comparison that does not use the formula like or as. | “The LORD is my shepherd” (Ps. 23:1). |
Simile | A figure of speech in which a writer compares two things using the formula like or as. | “He is like a tree planted by streams of water” (Ps. 1:3). |
Personification | A figure of speech in which human attributes are given to something nonhuman, such as animals, objects, or abstract qualities. | Light and truth are personified as guides in Psalm 43:3. |
Hyperbole | A figure of speech in which a writer consciously exaggerates for the sake of effect; usually that effect is emotional, and thus, loosely put, hyperbole usually expresses emotional truth rather than literal truth. | “My tears have been my food day and night” (Ps. 42:3). |
Apostrophe | A figure of speech in which the writer addresses someone absent as though present and capable of responding. By slight extension, an apostrophe might be an address to something nonhuman as though it were human and capable of responding, even if the speaker is in the presence of the object. | The poet in Psalm 148:3 might well be looking up at the sun, moon, or stars as he commands them to praise God. |
Ps. 42:1–5 The song begins with an expression of longing for God himself, using the image of thirst: As a deer pants for flowing streams. For the faithful, the answer to this longing comes in public worship (appear before God at the sanctuary; see Ex. 23:17).
Ps. 42:6–11 The second stanza sharpens the description of the singer’s situation. He is in the land of Jordan and of Hermon, far from the sanctuary in Jerusalem. He knows that God is not literally absent (v. 6), but he also feels that the sanctuary is where he meets God most fully. This stanza ends, like the first, with self-encouragement.
Term | Explanation | Example |
---|---|---|
Image | A word or phrase that names a concrete action or thing; by extension, a character, setting, or event in a story is an image—a concrete embodiment of human experience or an idea. | the way (or path); the congregation (or assembly); nature (or harvest) (Psalm 1) |
Metaphor | An implied comparison that does not use the formula like or as. | “The LORD is my shepherd” (Ps. 23:1). |
Simile | A figure of speech in which a writer compares two things using the formula like or as. | “He is like a tree planted by streams of water” (Ps. 1:3). |
Personification | A figure of speech in which human attributes are given to something nonhuman, such as animals, objects, or abstract qualities. | Light and truth are personified as guides in Psalm 43:3. |
Hyperbole | A figure of speech in which a writer consciously exaggerates for the sake of effect; usually that effect is emotional, and thus, loosely put, hyperbole usually expresses emotional truth rather than literal truth. | “My tears have been my food day and night” (Ps. 42:3). |
Apostrophe | A figure of speech in which the writer addresses someone absent as though present and capable of responding. By slight extension, an apostrophe might be an address to something nonhuman as though it were human and capable of responding, even if the speaker is in the presence of the object. | The poet in Psalm 148:3 might well be looking up at the sun, moon, or stars as he commands them to praise God. |
Psalms Ps. 42–43. While each of these psalms can be taken separately, Psalms 42–43 go well together as a song with three stanzas: they share a refrain (42:5, 11; 43:5); 43:2 is almost the same as 42:9; and they both express the longing to return to God’s presence in the sanctuary (42:2; 43:3–4). The singer laments his circumstances, which keep him from attending worship and enjoying God’s presence at the central sanctuary.
Ps. 43:1–5 In the third stanza of Psalms 42–43, the singer asks God to vindicate him against the ungodly people (43:1; see note on 26:1–3) who torment him with their taunts (42:3). The stanza closes, like the others, with encouragement.
Summers in Israel can be very hot, depending on where one is (see 32:4). In places like Masada, near the Dead Sea, temperatures can soar past 110 degrees Fahrenheit (43° C) without a drop of rain. However, Jerusalem, with its higher elevation, remains cooler with temperatures between 75 and 85 degrees (24 to 29° C).
I remember hearing a worship leader openly share her journey of lamenting when I had recently lost my mom. There's a part of our pull-yourself-up-by-the-bootstrap culture that doesn't allow for much lamenting. But God wants us to go there . . . to go to Him.
In this passage, the author provides a beautiful example of being so honest with God about his emotions. He yearns for God to hear him and feels as though God is distant. The author cries out, as we all do, "Have you forgotten me?" Yet the author brings himself back to truth . . . his hope is in God.
There are so many beautiful lessons in God's Word, especially on lamenting. God wants us to lament—in His way on the firm foundation of His truth. My way is a full-on pity party that eventually devolves into eating something sweet. His way is under His wings and watch, as I pour my heart out to Him and am reminded of His promises.
We won't always live on the mountaintops. We may go through periods of spiritual dryness for a multitude of reasons. Quoting Chuck Swindoll, "When we are spiritually dry, we who are believers should remind ourselves that God is sufficient for all our needs. This remembrance will encourage us to continue to trust Him . . . ."
Psalm 42:5-6 gives us direction: "Hope in God; for I shall again praise Him, my salvation and my God. My soul is cast down within me; therefore I remember you . . . ."
Psalm 43:3-4 tells us, "Send out your light and your truth; let them lead me . . . . Then I will go to the altar of God, to God my exceeding joy . . . ."
Our souls fight to be satisfied, and every disruption is an invitation for greater intimacy. So lament. Then remember, "I will yet praise him, my Savior and my God." (Psalm 42:5, NIV)
This month's memory verse
May the God of hope fill you with all joy and peace in believing, so that by the power of the Holy Spirit you may abound in hope.
1. What does lamenting look like for you? How can your community group or the believers around you walk beside you in times of spiritual dryness?
2. To stand firm when trials come or when the mountaintop feels like a plateau, what Scripture verses have you tucked in your heart (or hey, tattooed if that works for you 😊)? As Watermark lead pastor Blake Holmes has said—you don't want to figure out your theology on the 10th floor of the children's hospital. I encourage you to know the Lord through His Word before the trials come—because they will.
3. Think back on the biggest disruptions in your life. How did they alter your faith? How did you view God before, during, and after?
As we gear up to release even more features for Join The Journey in 2025, our staff team, unfortunately, no longer has the margin to continue to support the comment functionality. We have big things in store for Join The Journey 2025. Stay tuned!
Michael Scaman
greg jones
Michael Scaman
Sue Bohlin
Amy Lowther
Lindsey Driscoll